PICA’s internationally well-regarded Time-Based Art Festival comes to a crescendo this weekend, so even while the madness continues, I want to share what I’ve seen thus far. My posts about TBA:10 have all been posted on the Urban Honking site, so here for your convenience (I GIVE and I GIVE and…) are the links:
Rufus Wainwright and friends
The Wooster Group
Gare St. Lazare Players
The Agony and the Ecstasy of Steve Jobs, by Mike Daisey
Most importantly, tonight is your last chance to see national treasure Nature Theater of Oklahoma performing its madcap recap of what people remember about Romeo and Juliet. And yes, you guessed it, the photo at right is from this performance. That should give you an idea.
Upcoming fast, at 2:30 TODAY, is an exploratory discourse/performance with Mike Daisey, who will talk about his mammoth new work in progress, All the Hours in the Day, which will ultimately be a 24-hour monologue. This scares me more for Mike himself than it does for his spectators. But we had coffee at the clean and well-lighted Public Domain on Wednesday, where I heard a lot about this new gesamtkunstwerk, which sounds awesome — literally.
Also, Emily Johnson’s The Thank-You Bar continues today and tomorrow and the buzz about it is deafening. Six more performances but only 40 are admitted to each showing, so plan ahead.