All Hallows is here

And what better way to pay tribute to it than with this paean to the god and goddess within all of us, composed and performed by a woman who’s immortal herself.



What, you were expecting the Monster Mash? Please! Enjoy your Irish New Year, and give a thought to your ancestors tonight; in Gaelic tradition, the veil between their world and yours is more transparent now than during the whole rest of the year.

Halloween Countdown #2

Terribly late here for getting you my penultimate post for this year's All Hallows soundtrack … look for the last one in just a few hours! I’m tardy because of an exciting meeting this morning, the contents of which are so top secret that I can’t even share them here until November of 2011. Really! Two years off. But I share that much right now just to engender wonderment, annoyance and general pique.

For this post I bring you the amazing Lyke-Wake Dirge, which I first mentioned last All Hallow’s Eve on Mighty Toy Cannon’s fabulous music blog. This is a dirge, all right, but so haunting and with such a gradual build as to become spellbinding – which is, in fact, probably its original function.

In terms of its written history, this song dates back to England’s medieval period, but some believe its origins are much older. The pre-Christian version is reputed to be a culling song – a spell, of sorts, whose addictive power Chuck Palahniuk explores deftly in his novel Lullaby. It’s not hard to see how you could adapt the dirge to your own fell purposes …

Halloween Countdown #3

"One from the vaults."

Halloween Countdown #4

A lush, lapidary Talking Deads composition from 1979 – 30 Halloweens ago, yikes. Reportedly David Byrne achieved the disjointed quality of his voice here by wearing a recording device while jogging.



I should warn you that this video starts with an inexplicable 30-second lead-in. Bear with it; it goes away soon, and the music's worth the wait.

Halloween Countdown #5

Another classic, composed by Grieg for a production of Ibsen’s unstageable Peer Gynt. Reportedy, when Ibsen attended the premiere, the person sitting next time expressed admiration for Grieg’s version. To which Ibsen replied: “Oh, you think that’s good, do you?”

I know what he meant. But for sheer storytelling theatricality, you can’t beat “Hall of the Mountain King.”

Halloween Countdown #6

You see? This is what happens.

Halloween Countdown #7

Alas, this is a latter-day adaptation of the opening music for Kubrick’s adaptation of Stephen King’s The Shining, not the mysteriously unavailable original. Wendy Carlos wrote that – clearly basing it on the “Dies Irae” – which was disturbing almost to the point of being unlistenable…