Showing posts with label TBA08. Show all posts
Showing posts with label TBA08. Show all posts

Saturday, September 6, 2008

Just flew in from Tilburg, and boy....



TBA:08 continues apace. Yesterday I took in a felicitously conceived walkabout conceived by Khris Soden, entitled "The Portland Tour of Tilburg." Huh? From the Festival web site:

Tilburg, in the province of Noord-Brabant, is the sixth largest city in The Netherlands. Like Portland, it is home to bicycle boulevards, punk rock bars, public squares, and a vibrant do-it-yourself arts and music scene. For TBA:08, Khris Soden invites you to join him on a historical and cultural walking tour of the city core of Tilburg, and you won’t even need to purchase a plane ticket. The Portland Tour of Tilburg traces an exact route of Tilburg’s streets from about 9,000 miles away; Powell’s Books becomes Tilburg Central Station, Pioneer Courthouse Square rests on the Old Market, and the Bus Mall becomes the cultural heart of the city. Soden’s tour weaves a narrative of the two cities, bending the ideas of perception of place. After TBA:08, Soden will board a plane to Tilburg in order to conduct The Tilburg Tour of Portland for that city’s ZXZW Festival.


The above image shows the one city superimposed over the other. Nifty!

Part of the fun of this piece was the reaction of puzzled passerby catching Khris’ patter out of context – as, for instance, the moment when we stood amassed together in front of Portland’s most notorious gay bathhouse while Khris explained that in Tilburg this is the site of city’s wildest alternative music scene.

For an excellent account of what the walk was like, I can do no better than Megan Kate Grace, so I refer her to you.

Got your tickets to Built yet?

Thursday, September 4, 2008

Built for fun



TBA:08 is getting off to a great start this year with a number of events that simultaneously critique and celebrate Portland as a unique social experiment. I got a jump on the action tonight by catching the preview performance of Sojourn Theatre’s ingenious and fun new piece, Built.

The setting for the play is in South Waterfront, Portland’s glossy new development that reclaimed a blighted marshland -- long assumed uninhabitable thanks to decades of industrial waste dumped there -- and constructed a space age village of riverfront high-rises (many facing Mt Hood) built according to rigorous Green standards.

Built interweaves performed sections with game-playing activities that capture audience statements and use them in the evening’s narrative. Some of these activities are individual; I opened a kitchen drawer, for instance, to find a grid, a box of figurines, and an instruction to place a figurine in whichever quadrant represented my experience (raised in a city, in a rural environment, a small town, etc.). Later I wound up in a group of spectators where we were asked to choose which city services we wanted closer to our residences, and to arrive at a loose consensus with the others in the group.

One of the most breathtaking performances involved a couple literally walking a tightrope (actually two parallel cables) who gradually grow into disaffection as their attempt to buy a home reveals prejudices and fears that had never come to light before. Here, as elsewhere, the inventive choreography kept your eyes engaged and left your ears free to consider a series of overlapping dialogues. I especially remember one person saying a community should develop, not be developed, and then a counterpoint argument challenging that notion as a reactionary bias.

The whole event echoed a civic dialogue that’s been brewing here for years. We’re often reminded that the popular image of Portland, which is ballyhooed these days in everything from The New York Times to Bon Appetit, is the result of meticulous planning that was begun 30 years ago. How is that discussion proceeding today? Who is safeguarding what we’ve gained, and who is making sure it continues to evolve along with its citizenry?

Built is a heady and entertaining launch into these issues, and I hope you can see it. Performances are free, but only 40 can participate at one time, so reserve your space tonight.